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Short Circuit
(2025)Sound installationIn Short Circuit, an artificial intelligence system is deconstructed. By feeding the system specific, complex prompts, it is pushed beyond its capacity to produce coherent responses. As a result, the AI "stumbles," revealing glimpses of its internal processes and exposing its architecture through sound.
The output consists of human-like sounds, generated using the system’s default male voice setting. However, instead of comprehensible language, the AI produces bizarre, nonexistent, language-like sounds, a kind of ‘speaking in tongues’. These suggest the AI's intent to communicate while simultaneously failing to do so.
Much like the self-organizing patterns in nature I explore through drawing and painting, these outputs emerge from iterative, hidden rules, only here, they shatter into unpredictable fragments.
Presented through a high-end speaker, this alien-sounding audio invites the question: Who or what are we truly inviting into our world through these technologies?
The sounds were recorded in high quality to capture their full character, including their harsh, lo-fi qualities. They will be played through a high-end speaker mounted on a stand.
Listen to an audio excerpt:
Invisibility of Colour
(2024)Sound installationInvisibility of Colour is a sound work meant to be seen as much as heard. Instead of paint or images, it is composed of people’s spoken descriptions of colors. For this installation, individuals were interviewed in public spaces and asked which colors they liked or disliked; their recorded voices form an evolving sound composition.
Played through twenty invisible loudspeakers concealed behind a large white canvas, the voices emerge in random sequences, moving unpredictably across the surface.
Listen to an audio excerpt:
Emergent Clocks(2023-2024)
SoftwareEmergent Clocks was initially developed for the installation Invisibility of Colour to create an immersive soundscape, distributing audio samples across a wide rectangular grid of loudspeakers hidden behind a large white canvas.In collaboration with programmer Coen Konings, software was developed to autonomously generate a dynamic, ever-changing sound composition ecosystem, supporting up to 25 individual audio channels. This control system, referred to as an Emergent Clock, is an algorithm based on cellular automata and particle motion. Both the cellular automata clock and the particle system clock operate like mathematical petri dishes, cultivating and sustaining artificial life within a digital environment. These models consist of grids of cells that can adopt various states and spontaneously organize into complex patterns.
The Emergent Clock interface is divided into three main sections. On the left, audio meters display volume levels and adjustable parameters. In the center, the particle system and cellular automata are visualized in real time as they operate. On the right, the distribution of audio samples across a two-dimensional canvas is shown, guided by the behavior of the systems. Two types of clocks are employed: the particle system clock distributes audio samples along lines influenced by particle speed and movement, while the cellular automata clock creates clusters at specific canvas locations, determined by the dominance of particular groups of cells.
The Longest Distance(2018)
Sound installation The Longest Distance is a large sound installation, consisting of loudspeakers hidden behind a large white canvas. You can hear two very different sounds: the faint cosmic background radiation left over from the birth of the universe 13.8 billion years ago and the heartbeat of an unborn baby.The heartbeat represents what is closest - an intimate rhythm inside a human body within a human body - while the cosmic background radiation represents what is farthest away.
As you stand before the canvas, the heartbeat seems to come from a single point, while the cosmic sound surrounds you, filling the room.
Listen to an audio excerpt: